Davis, who most recently wrapped indie Lila & Eve, is repped by CAA, Lasher Group and Lichter Grossman.įor Shondaland, this marks the production company’s second drama with an African-American lead after ABC’s breakout hit Scandal. On the feature side, her credits include Ender’s Game, Beautiful Creatures, Eat Pray Love and State of Play.
GETTING AWAY WITH MURDER MOVIE HOW TO
Should How to Get Away move forward, it would mark Davis’ first full-time foray into series television. Davis joins a cast that also includes Matt McGorry, Aja Naomi King, Alfie Enoch, Karla Souza, Jack Falahee and new addition Charlie Weber (repped by Resolution, Vanguard Management and Gregory Slewett ).įor Davis, the role marks her return to television following roles on Showtime’s United States of Tara, NBC’s Law & Order: SVU and City of Angels, among others. Michael Offer will direct the pilot, which will film in Philadelphia. Grey’s Anatomy‘s Peter Nowalk will pen the script and executive produce the ABC Studios drama alongside Shondaland’s Rhimes and Beers ( Grey’s Anatomy, Scandal). Married to a psychology professor and having an affair that no one can know about, she calls her Criminal Law 100 class “How to Get Away With Murder.” The character is an excellent manipulator of people, particularly her law students - five of whom she selects to work with her at the firm.
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STORY: TV Pilots 2014: The Complete Guideĭavis will play Annalise DeWitt, the law professor and renowned criminal defense attorney described as brilliant, passionate, creative, charismatic and ruthless in the courtroom and the classroom. The sexy, suspense-driven legal thriller centers on ambitious law students and their brilliant and mysterious criminal defense professor who become entangled in a murder plot that could rock their entire university and change the course of their lives. In classic Hollywood, morally redemptive conclusions were mandated to show that crime doesn’t pay, while certain directors – like Stanley Kubrick and John Huston – believed that perfection of any kind is incompatible with the avarice and deceit of humanity.The two-time Academy Award nominee ( The Help, Doubt) will star in ABC’s Shonda Rhimesand Betsy Beersdrama pilot How to Get Away With Murder, The Hollywood Reporter has learned. Of course, the irony of the perfect crime in movies is that it’s rarely ever perfect.
For others, such as the chancers cheating and stealing their way to a better life in 1940s noir, the perfect crime turns lust and greed into quick bucks.Įach of the recommendations included here is available to view in the UK.
They take as much satisfaction from proving it can be done as from the loot at the end of it. However, his perfect crime soon turns into ironic tragedy when he realises he has left a vital piece of evidence behind, yet finds himself trapped in a lift and powerless to influence his own fate.įor cerebral criminals like Julien, committing the perfect crime is an intellectual exercise, which challenges their own skilfulness. Julien Tavernier ( Maurice Ronet) plans the murder of his boss, an arms manufacture who is also married to his lover ( Jeanne Moreau). Louis Malle’s Lift to the Scaffold (1958) promises all such vicarious pleasures. Its enduring appeal can be put down to the fascinating expertise of the criminals who believe they can slip by undetected, the complicity the audience feels in being party to their fastidious planning, and the final sensation of leaving the cinema thrilled, and knowing that you (at least) have got away with it. One of the great themes of the crime film is the idea of the perfect crime.
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